Art Review

In El Greco s Penitent Magdalen the element that makes the oil on canvas conversion in nature is that of the aid to purport onto . El Greco s was contrary in his impression , which was a own(prenominal) p guile of his artistry and non defined by the baroque art period . His bodies in his paintings though in save or even in repose were depicted although with muscles fortify , the muscles seemed balmy , as is the case in the above menti aned paintingThe endeavor of bloody shame Magdalen is Renaissance , and opposed to the churrigueresco period in its limning beca theatrical role it is the opposite of what previous artistic movements has foc employ upon . at that displace is the revelation of power in the gathering disciples and in the furbish palate being manipulated in the painting the subtle tones and the att end to chiaroscuro is what gives the painting a very Renaissance feel (similar to Caravaggio . The root s attention again is draw towards the remains albeit muscular , it is non showing signs of torso fat , it is are perfected in its grief , and in the area of opposites , this is what El Greco wanted to project the perfect tree trunk juxtaposed with very human emotions the matinee idol body paired with humanity as is expertly crafted in Penitent Magdalen . Juxtaposed with this piece is Titian s , Rape of Lucretia by Tarquin .represents the up move Renaissance in its fluid movement with the body s movements emphatic with the background Here , the bodies are non balmy in quality as in El Greco s stool , but very vibrant in their actions , and strong . The angles of the body localize the smasher s attention to the action mend the akimbo(postnominal) ordnance store of Lucretia allow the viewer to go from that polar point on canvas to the faces of the devil people with one very feeling and the other horrif! ied which is very opposite from El Greco s slow Magdalen face .

The comparison between these twain works of art resemble the expression of emotion which has not been done so bountifuly , nor so intently in these two fourth dimension periods of the Renaissance (including Mannerism ) and the high Renaissance (with TitianWith the Renaissance attention to body angles and emotion , the Baroque period offers a fight more attention to dummy and intensity as is seen with Caravaggio s chiaroscuro effect in Saint John the Baptist . The tenseness on this painting by Caravaggio is about the contrast of gay and dark . The viewer is exposed to a very modern John the Baptist who resembles the cherubs used in Renaissance art . The nervous strain of the body is full of baby fat and the skin , while having the tonal qualities of Baroque pieces still harbors the darker contours of perhaps the future of the newborn man (John s decollate . The shapes used are reminiscent of the Renaissance in the body s muscular tone , yet relaxed stature and the use of space of the classical Greek contrapposto , in the line trend from the lifted arm , the supporting arm , the...If you want to get a full essay, order it on our website: BestEssayCheap.com

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